Review by Oskar Lind★★★★½Sample
The bass on “Concerto for Piano and Orchestra: II. - (Live at Symphony Hall, Boston / 2019)” should be studied in universities.
3.6K likes
Album
2020 · by Boston Symphony Orchestra, Thomas Adès, Kirill Gerstein, Christianne Stotijn & Mark Stone
Own it on…
Rate each song as you listen
sample avg 3.2 · Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.4 · Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.8 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.3 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.7 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.3 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.3 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.4 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.8 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.8 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.1 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 2.9 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.4 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.3 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
sample avg 3.9 · Christianne Stotijn, Mark Stone, Boston Symphony Orchestra & Thomas Adès
Review by Oskar Lind★★★★½Sample
The bass on “Concerto for Piano and Orchestra: II. - (Live at Symphony Hall, Boston / 2019)” should be studied in universities.
3.6K likes
Review by Tomasz W.★★★★½Sample
The production on this is so warm it feels like sitting next to a radiator in January.
492 likes
℗ 2020 Boston Symphony Orchestra, Inc., under exclusive license to Deutsche Grammophon GmbH, Berlin
Previews provided courtesy of iTunes.
Review by Yuki Tanaka★★★½Sample
Not every song lands, but when it does it LANDS. “Totentanz: Der Tod zum Kardinal – Der Kardinal (Live at Symphony Hall, Boston / 2016)” is the keeper.
101 likes
Review by Nadia Haddad★★★½Sample
Solid, but I keep skipping “Concerto for Piano and Orchestra: II. - (Live at Symphony Hall, Boston / 2019)”. Sorry Boston Symphony Orchestra, Thomas Adès, Kirill Gerstein, Christianne Stotijn & Mark Stone.
7 likes
Review by DeShawn Price★★★Sample
I respect it more than I love it. “Totentanz: Der Tod zum Kaiser – Der Kaiser (Live at Symphony Hall, Boston / 2016)” is undeniable though.
6 likes
Review by Cass Moreno★★★½Sample
Overhyped? Maybe. Did I still cry at “Totentanz: Der Tod (Live at Symphony Hall, Boston / 2016)”? Also maybe.
1 likes
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