Review by Oskar Lind★★★Sample
Not every song lands, but when it does it LANDS. “Winterweihe, Op. 48 - 4 (Henckell)” is the keeper.
2.1K likes
Album
1997 · by Elisabeth Schwarzkopf, George Szell & Rundfunk-Sinfonieorchester Berlin
Own it on…
Rate each song as you listen
sample avg 3.1 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
sample avg 3.7 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
sample avg 3.2 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
sample avg 3.4 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
sample avg 3.6 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
sample avg 3.9 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
sample avg 3.5 · London Symphony Orchestra, Elisabeth Schwarzkopf & George Szell
Review by Oskar Lind★★★Sample
Not every song lands, but when it does it LANDS. “Winterweihe, Op. 48 - 4 (Henckell)” is the keeper.
2.1K likes
Review by Priya Raman★★★½Sample
Solid, but I keep skipping “Vier Letzte Lieder (Four Last Songs), Op. Posth: IV. Im Abendrot (Eichendorff)”. Sorry Elisabeth Schwarzkopf, George Szell & Rundfunk-Sinfonieorchester Berlin.
1.1K likes
℗ This compilation 1997 EMI Records Ltd.
Previews provided courtesy of iTunes.
Review by Yuki Tanaka★★★★Sample
Every time I think I've found my favourite track, “Morgen, Op. 27 - 4” comes on and starts an argument.
354 likes
Review by Nadia Haddad★★★½Sample
vibes immaculate, lyrics occasionally a little 'live laugh love'
0 likes
Review by Tomasz W.★★★★½Sample
Took me three listens. By the third, “Winterweihe, Op. 48 - 4 (Henckell)” had moved in and started paying rent.
0 likes
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