Review by Nadia Haddad★★★★Sample
Every time I think I've found my favourite track, “Symphonic Variations, Op. 78, B. 70” comes on and starts an argument.
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Symphonic Variations, Op. 78, B. 70
by Stephen Gunzenhauser & Slovak Philharmonic Orchestra · from 24 Hours of Classical Music – The Perfect Start to Your Collection
1990Classical22:06Track 74
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Review by Yuki Tanaka★★½Sample
Respectfully: no. “Symphonic Variations, Op. 78, B. 70” is the only thing I'd revisit.
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Tracklist
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- 14Piano Sonata No. 8 In C Minor, Op. 13, "Pathetique": II. Adagio Cantabile
sample avg 3.9 · Jenő Jandó
4:42 - 154:31
- 16Piano Sonata No. 8 In C Minor, Op. 13, "Pathetique": I. Grave - Allegro Di Molto e Con Brio
sample avg 2.9 · Jenő Jandó
8:29 - 17Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
sample avg 3.6 · Jenő Jandó
5:15 - 18Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": II. Allegretto
sample avg 4.0 · Jenő Jandó
2:04 - 19Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": III. Presto Agitato
sample avg 3.4 · Jenő Jandó
7:21 - 209:36
- 21Piano Sonata No. 23 In F Minor, Op. 57, "Appassionata": II. Andante Con Moto
sample avg 4.0 · Jenő Jandó
5:48 - 22Piano Sonata No. 23 In F Minor, Op. 57, "Appassionata": III. Allegro Ma Non Troppo - Presto
sample avg 4.1 · Jenő Jandó
8:10 - 23Symphony No. 2 In D Major, Op. 73: I. Allegro Non Troppo
sample avg 3.3 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
14:42 - 24Symphony No. 2 In D Major, Op. 73: II. Adagio Non Troppo
sample avg 4.0 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
9:36 - 25Symphony No. 2 In D Major, Op. 73: III. Allegretto Grazioso
sample avg 3.9 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
5:17 - 26Symphony No. 2 In D Major, Op. 73: IV. Allegretto Con Spirito
sample avg 3.7 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
9:15 - 27Serenade No. 2 in A Major, Op. 16: I. Allegro Moderato
sample avg 3.5 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
8:20 - 28Serenade No. 2 in A Major, Op. 16: II. Scherzo: Vivace
sample avg 3.6 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
3:04 - 29Serenade No. 2 in A Major, Op. 16: III. Adagio non Troppo
sample avg 2.9 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
9:12 - 30Serenade No. 2 in A Major, Op. 16: IV. Quasi Menuetto
sample avg 3.0 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
5:32 - 31Serenade No. 2 in A Major, Op. 16: V. Rondo: Allegro
sample avg 3.9 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
6:33 - 46Prelude a l'apres-midi D'un Faune
sample avg 3.9 · Jan van Reeth, Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
10:35 - 47Nocturnes: Nuages
sample avg 3.1 · BRT Philharmonic Chorus, Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
7:33 - 48Nocturnes: Fetes
sample avg 3.5 · BRT Philharmonic Chorus, Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
6:58 - 49Nocturnes: Sirenes
sample avg 3.6 · BRT Philharmonic Chorus, Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
12:44 - 50La Mer: De l'aube a Midi Sur la Mer
sample avg 3.2 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
9:20 - 51La Mer: Jeux de Vagues
sample avg 3.8 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
7:29 - 52La Mer: Dialogue Du Vent Et de la Mer
sample avg 4.1 · Alexander Rahbari & Belgian Radio and Television Philharmonic Orchestra
8:28 - 70Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio
sample avg 3.6 · Stephen Gunzenhauser & Slovak Philharmonic Orchestra
11:40 - 71Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Molto Vivace
sample avg 3.9 · Stephen Gunzenhauser & Slovak Philharmonic Orchestra
8:08 - 72Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Allegro con Fuoco
sample avg 3.8 · Stephen Gunzenhauser & Slovak Philharmonic Orchestra
11:11 - 73Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo
sample avg 3.2 · Stephen Gunzenhauser & Slovak Philharmonic Orchestra
12:01 - 74Symphonic Variations, Op. 78, B. 70
sample avg 3.3 · Stephen Gunzenhauser & Slovak Philharmonic Orchestra
22:06 - 75Requiem, Op. 48: Introit Et Kyrie
sample avg 3.3 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
6:37 - 76Requiem, Op. 48: Offertoire
sample avg 4.1 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
8:56 - 77Requiem, Op. 48: Sanctus
sample avg 3.9 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
3:28 - 78Requiem, Op. 48: Pie Jesu
sample avg 3.9 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
3:32 - 79Requiem, Op. 48: Agnus Dei
sample avg 3.5 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
5:59 - 80Requiem, Op. 48: Libera Me
sample avg 3.5 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
4:38 - 81Requiem, Op. 48: In Paradisum
sample avg 3.5 · Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Schola Cantorum, Jeremy Summerly & Oxford Camerata
3:28 - 88Cantique de Jean Racine, Op. 11
sample avg 3.8 · Colm Carey, Oxford Schola Cantorum & Jeremy Summerly
6:31 - 89Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase
sample avg 4.1 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
5:07 - 90Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
sample avg 3.9 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
3:35 - 91Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
sample avg 3.9 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
2:40 - 92Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
sample avg 4.0 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
3:55 - 93Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament
sample avg 3.5 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
3:59 - 94Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
sample avg 3.7 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
4:26 - 95Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
sample avg 3.6 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
2:40 - 96Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song
sample avg 3.8 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
5:41 - 972:48
- 983:49
- 993:29
- 1013:19
- 102Lyric Pieces, Book 8, Op. 65, No. 6 - Wedding-Day At Troldhaugen
sample avg 3.6 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
6:02 - 1033 Orchestral Pieces from Sigurd Jorsalfar, Op. 56: I. Prelude: In the King's Hall
sample avg 3.8 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
3:12 - 1043 Orchestral Pieces from Sigurd Jorsalfar, Op. 56: II. Intermezzo, "Borghild's Dream"
sample avg 4.0 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
4:00 - 1053 Orchestral Pieces from Sigurd Jorsalfar, Op. 56: III. Hommage March
sample avg 3.5 · Jerzy Maksymiuk & BBC Scottish Symphony Orchestra
11:04 - 106Messiah, HWV 56 (1751 Version), Pt. I: Sinfonia
sample avg 3.5 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:04 - 107Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: Comfort Ye, My People (Tenor)
sample avg 3.2 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:13 - 108Messiah, HWV 56 (1751 Version), Pt. I: Aria: Every Valley Shall Be Exalted (Tenor)
sample avg 2.9 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:19 - 109Messiah, HWV 56 (1751 Version), Pt. I: Chorus: And the Glory of the Lord
sample avg 3.8 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:31 - 110Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: Thus Saith the Lord of Hosts (Bass)
sample avg 3.4 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:27 - 111Messiah, HWV 56 (1751 Version), Pt. I: Aria: But Who May Abide the Day of His Coming (CounterTenor)
sample avg 3.4 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
4:31 - 112Messiah, HWV 56 (1751 Version), Pt. I: Chorus: And He Shall Purify
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:32 - 113Messiah, HWV 56 (1751 Version), Pt. I: Recitative: Behold, a Virgin Shall Conceive, and Bear a Son (CounterTenor)
sample avg 3.4 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:24 - 114Messiah, HWV 56 (1751 Version), Pt. I: Aria and Chorus: O Thou That Tellest Good Tidings to Zion (CounterTenor)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
5:43 - 115Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: For Behold, Darkness Shall Cover the Earth (Bass)
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:10 - 116Messiah, HWV 56 (1751 Version), Pt. I: Aria: The People That Walked in Darkness (Bass)
sample avg 3.2 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:35 - 117Messiah, HWV 56 (1751 Version), Pt. I: Chorus: For Unto Us a Child Is Born
sample avg 3.1 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:52 - 118Messiah, HWV 56 (1751 Version), Pt. I: Pifa
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:13 - 119Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: There Were Shepherds Abiding in the Field (Trebles)
sample avg 3.9 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:28 - 120Messiah, HWV 56 (1751 Version), Pt. I: Chorus: Glory to God in the Highest
sample avg 3.8 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:15 - 121Messiah, HWV 56 (1751 Version), Pt. I: Aria: Rejoice Greatly, O Daughter of Zion (Tenor)
sample avg 3.1 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
4:06 - 122Messiah, HWV 56 (1751 Version), Pt. I: Recitative: Then Shall the Eyes of the Blind Be Opened (CounterTenor)
sample avg 3.8 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:23 - 123Messiah, HWV 56 (1751 Version), Pt. I: Aria: He Shall Feed His Flock Like a Shepherd (CounterTenor, Treble)
sample avg 3.4 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
4:54 - 124Messiah, HWV 56 (1751 Version), Pt. I: Chorus: His Yoke Is Easy, His Burthen Is Light
sample avg 3.8 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:19 - 125Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Behold, the Lamb of God
sample avg 4.2 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:49 - 126Messiah, HWV 56 (1751 Version), Pt. II: Aria: He Was Despised and Rejected of Men (CounterTenor)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
12:21 - 127Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Surely He Hath Borne Our Griefs and Carried Our Sorrows
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:01 - 128Messiah, HWV 56 (1751 Version), Pt. II: Chorus: And With His Stripes We Are Healed
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:55 - 129Messiah, HWV 56 (1751 Version), Pt. II: Chorus: All We Like Sheep Have Gone Astray
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:34 - 130Messiah, HWV 56 (1751 Version), Pt. II: Accompanied Recitative: All They That See Him, Laugh Him to Scorn (Tenor)
sample avg 3.9 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:42 - 131Messiah, HWV 56 (1751 Version), Pt. II: Chorus: He Trusted in God That He Would Deliver Him
sample avg 3.7 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:21 - 132Messiah, HWV 56 (1751 Version), Pt. II: Accompanied Recitative: Thy Rebuke Hath Broken His Heart (Tenor)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:45 - 133Messiah, HWV 56 (1751 Version), Pt. II: Aria: Behold, and See If There Be Any Sorrow Like Unto His Sorrow (Tenor)
sample avg 3.8 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:33 - 134Messiah, HWV 56 (1751 Version), Pt. II: Accompanied Recitative: He Was Cut Off Out of the Land of the Living (Treble)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:18 - 135Messiah, HWV 56 (1751 Version), Pt. II: Aria: But Thou Didst Not Leave His Soul in Hell (Treble)
sample avg 3.7 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:00 - 136Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Lift Up Your Heads, O Ye Gates
sample avg 3.0 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:08 - 137Messiah, HWV 56 (1751 Version), Pt. II: Recitative: Unto Which of the Angels Said He At Any Time (Tenor)
sample avg 3.9 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:19 - 138Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Let All the Angels of God Worship Him
sample avg 3.0 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:40 - 139Messiah, HWV 56 (1751 Version), Pt. II: Aria: Thou Art Gone Up On High (CounterTenor)
sample avg 3.1 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:10 - 140Messiah, HWV 56 (1751 Version), Pt. II: Chorus: The Lord Gave the Word
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:12 - 141Messiah, HWV 56 (1751 Version), Pt. II: Aria: How Beautiful Are the Feet of Them That Preach the Gospel of Peace (Treble)
sample avg 3.2 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:18 - 142Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Their Sound Is Gone Out Into All Lands
sample avg 3.1 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:32 - 143Messiah, HWV 56 (1751 Version), Pt. II: Aria: Why Do the Nations So Furiously Rage Together (Bass)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:48 - 144Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Let Us Break Their Bonds Asunder
sample avg 3.8 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:53 - 145Messiah, HWV 56 (1751 Version), Pt. II: Recitative: He That Dwelleth in Heaven Shall Laugh Them to Scorn (Tenor)
sample avg 3.1 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:10 - 146Messiah, HWV 56 (1751 Version), Pt. II: Aria: Thou Shalt Break Them With a Rod of Iron (Tenor)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:17 - 147Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Hallelujah
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
4:04 - 148Messiah, HWV 56 (1751 Version), Pt. III: Aria: I Know That My Redeemer Liveth (Treble)
sample avg 3.3 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
5:44 - 149Messiah, HWV 56 (1751 Version), Pt. III: Chorus: Since By Man Came Death
sample avg 3.5 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:05 - 150Messiah, HWV 56 (1751 Version), Pt. III: Accompanied Recitative: Behold: ITell You a Mystery (Bass)
sample avg 3.7 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:36 - 151Messiah, HWV 56 (1751 Version), Pt. III: Aria: The Trumpet Shall Sound (Bass)
sample avg 3.4 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
8:39 - 152Messiah, HWV 56 (1751 Version), Pt. III: Recitative: Then Shall Be Brought to Pass the Saying That Is Written (CounterTenor)
sample avg 4.1 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
0:15 - 153Messiah, HWV 56 (1751 Version), Pt. III: Duet: O Death, Where Is Thy Sting (CounterTenor and Tenor)
sample avg 3.2 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
1:06 - 154Messiah, HWV 56 (1751 Version), Pt. III: Chorus: But Thanks Be to God
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
2:11 - 155Messiah, HWV 56 (1751 Version), Pt. III: Aria: If God Is for Us, Who Can Be Against Us (CounterTenor)
sample avg 2.9 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
4:53 - 156Messiah, HWV 56 (1751 Version), Pt. III: Chorus: Worthy Is the Lamb That Was Slain
sample avg 3.9 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:17 - 157Messiah, HWV 56 (1751 Version), Pt. III: Chorus: Amen
sample avg 3.6 · Eamonn Dougan, Toby Spence, Iestyn Davies, Choir of New College Oxford, Edward Higginbottom, Academy of Ancient Music, Otta Jones, Robert Brooks & Henry Jenkinson
3:35 - 158String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: I. Allegro con Spirito
sample avg 4.1 · Kodály Quartet
5:32 - 159String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: II. Adagio Sostenuto
sample avg 3.5 · Kodály Quartet
7:44 - 160String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: III. Menuetto: Presto
sample avg 3.2 · Kodály Quartet
2:37 - 161String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: IV. Finale: Allegro Ma non Troppo
sample avg 4.1 · Kodály Quartet
6:03 - 162String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": I. Allegro
sample avg 3.9 · Kodály Quartet
6:47 - 163String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": II. Andante O Piu Tosto Allegretto
sample avg 3.2 · Kodály Quartet
5:18 - 164String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": III. Menuetto: Allegro Ma non Troppo
sample avg 3.0 · Kodály Quartet
3:31 - 165String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": IV. Vivace Assai
sample avg 3.1 · Kodály Quartet
4:11 - 166String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": I. Allegro
sample avg 3.3 · Kodály Quartet
6:50 - 167String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": II. Poco Adagio, Cantabile
sample avg 3.3 · Kodály Quartet
8:00 - 168String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": III. Menuetto: Allegro
sample avg 3.0 · Kodály Quartet
4:46 - 169String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": IV. Finale: Presto
sample avg 3.5 · Kodály Quartet
5:19 - 170Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Allegro Maestoso - Tempo Giusto -
sample avg 3.3 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
5:15 - 171Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Quasi Adagio -
sample avg 3.3 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
5:10 - 172Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Allegretto Vivace -
sample avg 3.3 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
4:07 - 173Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Allegro Marziale Animato -
sample avg 4.0 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
4:28 - 174Piano Concerto No. 2 in A Major, S. 125 - R456: Adagio Sostenuto assai - Tempo del Andante
sample avg 3.5 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
7:56 - 175Piano Concerto No. 2 in A Major, S. 125 - R456: Allegro Deciso -
sample avg 3.6 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
8:47 - 176Piano Concerto No. 2 in A Major, S. 125 - R456: Marziale un poco meno Allegro - un poco meno Mosso -
sample avg 3.0 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
4:04 - 177Piano Concerto No. 2 in A Major, S. 125 - R456: Allegro Animato
sample avg 3.1 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
1:58 - 178Totentanz, S. 126 - R457
sample avg 3.7 · Joseph Banowetz, Oliver von Dohnányi & Slovak Radio Symphony Orchestra
16:15 - 179Inter Natos Mulierum, K. 72
sample avg 3.1 · Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
5:10 - 180Misericordias Domini, K. 222
sample avg 3.3 · Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
6:06 - 181Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Introit: Requiem Aeternam
sample avg 3.6 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
3:58 - 182Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Kyrie Eleison
sample avg 3.0 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
2:15 - 183Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: I. Dies Irae
sample avg 3.9 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
1:41 - 184Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: II. Tuba Mirum
sample avg 3.9 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
2:44 - 185Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: III. Rex Tremendae Majestatis
sample avg 3.2 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
1:48 - 186Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: IV. Recordare, Jesu Pie
sample avg 3.1 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
4:26 - 187Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: V. Confutatis Maledictis
sample avg 3.3 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
1:50 - 188Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: VI. Lacrimosa Dies Illa (completed By Sussmayr)
sample avg 3.2 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
2:42 - 189Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Offertory: I. Domine Jesu Christe
sample avg 3.8 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
3:03 - 190Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Offertory: II. Hostias Et Preces
sample avg 3.4 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
3:21 - 191Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sanctus (Sussmayr)
sample avg 4.0 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
1:20 - 192Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Benedictus (Sussmayr)
sample avg 3.8 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
4:26 - 193Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Agnus Dei (Sussmayr)
sample avg 3.0 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
2:20 - 194Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Communion: Lux Aeterna (completed By Sussmayr)
sample avg 3.9 · Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra
4:52